The Painting: During a visit to Rouen that began in June 1894, Sisley painted seven views of the fields and paths at nearby Sahurs with the hills above La Bouille-on the opposite bank of the Seine-in the background. Before he met Sisley, he had already acquired a quantity of the artist’s landscapes of all periods, notably Ferry to the Ile de la Loge, Flood of 1872 (Ny Carlsberg Glyptotek, Copenhagen, 1752), Flood at Port-Marly of 1876 (Musée des Beaux-Arts, Rouen, 909.1.44), Snow at Veneux-Nadon of 1880 (Musée d’Orsay, Paris, RF 2025), and Haystacks at Moret-Morning Light of 1891 (National Gallery of Victoria, Melbourne, 583-2). Depeaux also knew Monet personally and bought from him directly. Born in 1853, he formed a collection of more than 650 modern French paintings between about 1884 and the end of the 1890s, depending upon the Durand-Ruel dealership for many of his purchases. Depeaux’s fortune came from mining interests in England and Wales and he was among Rouen’s wealthiest citizens. It is unlikely that the painter could have afforded this visit to Normandy without their support. During the summer of 1894 the artist returned to Rouen, where he stayed first at the Hotel du Dauphin et d’Espagne (whose part owner, the collector of Impressionist paintings Eugène Murer, offered him and others reduced rates), and then at the home of Depeaux, a successful local industrialist. In 1893 in Rouen he met François Depeaux, who was one of them. Today, the artist’s works are held in the collections of the Art Institute of Chicago, the Musée d’Orsay in Paris, the National Gallery in London, and Neue Pinakothek in Munich, among others.Patronage: Despite his financial difficulties, Sisley had various major clients. He died in Moret-sur-Loing, France on Januat the age of 59. Despite his commitment to the Impressionist style, Sisley’s works never gained the same recognition as his colleagues Monet and Renoir. Together the young painters traveled to forests outside of Paris and began producing paintings en plein air (in open air). Returning to Paris in 1860, he studied under the painter Charles Gleyre alongside Frédéric Bazille, Claude Monet, and Pierre-Auguste Renoir. Sent to London by his father in 1857 to study commerce, Sisley neglected his work and often visited the city’s museums, where he saw the works of John Constable and J.M.W. “By the elimination of superfluous detail, the spectator should be led along the road that the artist indicates to him, and from the first be made to notice what the artist has felt.” Born on Octoin Paris, France to British parents, he retained his parents’ nationality even as he lived the majority of his life in France. “The motif must always be set down in a simple way, easily grasped and understood by the beholder,” he once remarked. Sisley's Snow at Louveciennes (1878), is emblematic of the movement’s attempt to register fleeting effects of weather and light. Alfred Sisley was a French-born British painter and founding member of Impressionism.
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